WUNRN

http://www.wunrn.com

 

http://www.osce.org/fom/119640

 

RUSSIA - 5 SENTENCED FOR MURDER OF JOURNALIST ANNA POLITKOVSKAYA

VIENNA, 10 June 2014 – OSCE Representative on Freedom of the Media Dunja Mijatović today welcomed the sentences handed down to five individuals for the murder of journalist Anna Politkovskaya in 2006, but called for the investigation to continue to bring the masterminds to justice. “The Politkovskaya case is still not closed until those who ordered this horrific murder are identified and convicted. Anna’s family, friends and colleagues around the world deserve justice”, Mijatović said. On June 9 the Moscow City Court found five individuals, including three defendants acquitted in the previous trial, guilty of planning, participating, and carrying out the murder of Politkovskaya. They received lengthy prison sentences. The court ruling was based on the jury trial verdict which on 22 May found all five suspects guilty. The court also confirmed that Politkovskaya was killed for her critical reporting. However, the investigation was unable to name the masterminds of the crime.

Journalist Anna Politkovskaya was shot and killed in Moscow on 7 October 2006, in her residential building. Politkovskaya was known for her critical views and reports, including on the Chechnya War.

____________________________________________________________________

----- Original Message -----

From: WUNRN ListServe

To: WUNRN ListServe

Sent: Saturday, August 27, 2011 10:01 AM

Subject: Russia - Anna Politkovskaya Slain Rights Journalist - Movie

 

WUNRN

http://www.wunrn.com

 

http://www.youtube.com/watch?v=mYgLF-MnO7s

Website Link Includes Film Segment.



 

ANNA POLITKOVSKAYA, SLAIN RUSSIAN RIGHTS JOURNALIST - NEW MOVIE

 

 

by Alexandra Marie Daniels



Someone tried to silence Anna Politkovskaya. An investigative journalist with a bleeding heart, she was assassinated on October 7, 2006 at age 48 in her apartment building in Moscow.

 

As expressed in the opening scenes of the new film A Bitter Taste of Freedom, Anna was Russia’s conscience. Despite fear, earlier assassination attempts and arrests, she exposed the wrongdoings of Russian authorities and became a voice for the innocent victims of the Chechen war.

 

Though other films were made about Anna Politkovskaya after her death, A Bitter Taste of Freedom is unique. It is a ‘visual portrait,’ a window into Anna’s life, created by one of her most intimate friends, Russian filmmaker Marina Goldovskaya.

 

As part of the International Documentary Association's 15th Annual DocuWeeks™ Theatrical Documentary Showcase I had the opportunity to sit down with Marina Goldovskaya and discuss their friendship and her new film.

Anna Politkovskaya and her husband Sasha were former students of Goldovskaya at Moscow University and went on to careers in journalism. In 1991 Goldovskaya made the documentary film A Taste of Freedom with the Politkovsky family as her main characters. Through Anna and Sasha she created a visual portrait of Russian life.

 

As a documentary filmmaker Goldovskaya's goal is to preserve history. As a woman experiencing a transformative period in Russian history she did not hesitate to film every possible moment she could.

 

“With Gorbachev,” Goldovskaya explains, “It was euphoric…Freedom was something we didn’t know, and we still know very little about…We thought, this is the beginning of a completely new era…My goal was to make a film to show the changes, where they are going, and I started shooting.”

But Goldovskaya feels that “in order to make a film about a political issue, it has to be very well-grounded in the reality, in life.”

 


At age 48 Anna Politkovskaya was assassinated in Moscow. Her funeral was held on October 10, 2006. Photo courtesy of Goldfilms

 

During the making of A Taste of Freedom, Sasha was often away on assignments and Goldovskaya spent many hours filming conversations with Anna at the Politkovsky home while she raised her two children. A Bitter Taste of Freedom spans their 20-year friendship.

 

Taking time with her words as she takes time with her coffee, Ms. Goldovskaya explains “there are people with very thick skin…There are people with thin skin and there are people without skin…I have a thin skin. I really take things very close to heart…Anna was a person with no skin at all.” Deeply affected by what she saw, Anna’s emotions were raw and it was for this reason that Anna did her work and genuinely did it well.

 

Despite her fear Anna traveled regularly back of forth between Chechnya and Moscow. Ms. Goldovskaya recalls a moment in the film. “I especially loved it when [Anna] says, ‘I go to Chechnya, it’s scary there.’ She was making investigative journalism.”

 

She explains how Anna disguised herself as a Chechen woman by wearing long skirts; how despite poor vision, Anna would remove her glasses because Chechen women did not wear glasses; and how she put a scarf on her head to hide.

 

“She would go there and talk to people in villages, in private homes, and of course she never knew what was going to happen. A couple of times she was arrested by the Federal Russian Guard. She continued to do it, risking her life, it was a part of her.”

 

Anna became a human rights activist defending the innocent civilians whose lives were destroyed. “Shocked and traumatized,” she felt she had no choice but to report on the atrocities of war. The work was dangerous but Anna never looked back.

 

The chief editor of Novaya Gazeta, the newspaper where Anna worked, said many times “stop going, I am afraid for you;” but Anna maintained an attitude of “if not me, then who?”

 

Goldovskaya never accompanied Anna on her trips to Chechnya because Anna felt it was too dangerous. After she was arrested and had spent a number of days in a jail cell, Goldovskaya asked her, “Anya, you are doing such a risky thing...It is so dangerous and she says, ‘Yeah, I know that it is dangerous but let’s not speak about it…what I am doing, this is what I have to do.’”

 




Investigative journalist for Moscow’s liberal Novaya Gazeta, Anna Politkovskaya was often the only spokesperson for the victims of Putin’s government. Photo courtesy of Goldfilms

 

As a journalist Anna was not able to ignore her responsibility to society. Russian authorities did not like her reporting from Chechnya and there were also colleagues that had very mixed feelings.

 

Dmitry Bykov, a writer interviewed in the film, believed that “her point of view was deeply affected by what she saw,” and commented that “by virtue of her passionate female concern for Chechnya she was losing her objectivity.” Bykov believed that “a woman cannot remain objective in a war due to her feminine nature.”

 

Striking me as absurd, I asked Goldovskaya about Bykov’s comment. She explains “it is a part of Russian patriarchal society, the remnants…an inescapable part of Russian mentality.” She tells me “Anna Politkovskaya made many of her colleagues uncomfortable. Her feminine perspective even disgusted some.”

]

Despite the conflicting feelings towards her, Anna followed her raw emotions. She became a voice for the Chechen people - establishing relationships and becoming someone they could trust. In 2002, Politkovskaya was asked to be a negotiator during the Nordost theater siege by armed Chechen rebels. Very sadly, Anna was not able to help. Thirty-nine rebels along with at least 129 hostages were killed when Russian forces pumped toxic gas into the theater to end the raid.

 

Former Soviet leader Mikhail Gorbachev describes Anna in the film as “a remarkable journalist…because she was a remarkable person.” He explains that she was strong and ethical and went on to say that “life is always hard for such people…In her heart and in her mind she wanted to see the country improved, for the people to feel…confident. And free.”

 

Anna’s conscience propelled Goldovskaya to make A Bitter Taste of Freedom; and through it, she continues to live. After seeing the documentary and speaking with Marina Goldovskaya I believe we should all ask, “if not me, then who?”

About the Author:
Alexandra Marie Daniels
is a writer, dancer, and filmmaker. She has made three films with the director Bernard Rose, including The Kreutzer Sonata (2008) and Mr. Nice (2010) and has worked with the director Martyn Atkins as a script supervisor on concerts such as Eric Clapton and Steve Winwood: Live from Madison Square Garden and The Crossroads Guitar Festival 2010. Alexandra is The WIP's Arts, Culture, and Media Editor.

_____________________________________________________________________

 

----- Original Message -----

From: WUNRN

To: WUNRN ListServe

Sent: Wednesday, July 23, 2008 10:22 AM

Subject: Anna Politkovskaya - Slain Russian Journalist Rights Defender - Movie: "Letter to Anna"

 

WUNRN

http://www.wunrn.com

 

http://www.starpulse.com/movie/Letter_to_Anna%3A_The_Story_of_Journalist_Politkovskaya%27s_Death/V433938/0/2/

 

Letter to Anna: Movie

The Story of Slain Russian Journalist Anna Politkovskaya's Death

 

Anna Politkovskaya
Анна Степановна Политковская

 

Born

30 August 1958(1958-08-30)
New York City, New York, U.S.

Died

7 October 2006 (aged 48)
Moscow, Russia

Occupation

Journalist

 

Letter to Anna: Movie - Summary

 

Anna Politkovskaya was a Russian reporter who regularly wrote for Novaya Gazyeta, one of the country's few independent journals. In a nation where political corruption is widespread and exposing the misdeeds of the nation's leaders often has dangerous consequences, Politkovskaya was a fearless voice whose stories demanded responsibility from Vladimir Putin and his colleagues while decrying Russia's actions in Chechnya, which she labeled as genocide. While Politkovskaya writings earned her respect and made her one of the nation's best known journalists, they also angered many powerful people; she nearly died after she was poisoned in 2004 while covering the Beslan school hostage case, and in October 2006 she was shot and killed by an unknown gunman while riding an elevator in her apartment building; many of her friends and family believe she was assassinated by government agents. Filmmaker Eric Bergkraut struck up a friendship with Politkovskaya while making his documentary Coca: The Dove From Chechnya, and Ein Artikel zu viel: Der Mord an Anna Politkowskaja (aka Letter To Anna: The Story Of Journalist Politkovskaya's Death features archival interviews with the late reporter, as well as contributions from colleagues and loved ones who discuss her work and offer their views on her suspicious passing. Letter To Anna received its North American premiere at the 2008 Toronto Hot Docs Film Festival. Mark Deming, All Movie Guide

 

______________________________________________________________________

 

WUNRN

http://www.wunrn.com

 

http://www.huntalternatives.org/pages/592_anna_politkovskaya_waging_network_member_murdered.cfm

 

TRIBUTE TO SLAIN RUSSIAN WOMAN JOURNALIST

ANNA POLITKOVSKAYA

 

Politkovskaya:  A Life for Justice


By Swanee Hunt
October 10, 2006

Everyone needs a hero. Anna Politkovskaya was mine. And others’. In addition to the 2005 Civil Courage Prize, she received the Courage in Journalism Award from the International Women's Media Foundation in 2002, as well as prizes from the Overseas Press Club and Amnesty International. In 2004, she was a joint winner of the Olof Palme Prize for her human rights work.

I met Anna in November, 2000, at Women Waging Peace, a network of about 450 leaders within the Initiative for Inclusive Security, which advocates for the full inclusion of women in peace processes around the world.  That initiative was incubated at Harvard’s Kennedy School of Government.  We try to protect and support women peace experts in part by bringing them to the attention of policy makers at the State Department, World Bank, White House, and other halls of power.     

This past Saturday Anna was executed: shot point blank in the head with a revolver outside her apartment.  The gun was placed by her side, indicating a contract-killing. She was 48. 

Born in 1958, Anna graduated from Moscow State University and worked on the Soviet newspaper Izvestiya for more than a decade.  In 1999, she joined Novaya Gazeta, one of the few newspapers to take on the Kremlin. She maintained a critical stance against President Putin even as the Russian media became more and more suppressed by the government. Politkovskaya authored several books, including Putin's Russia and The Dirty War.  For more than six years, she was the strongest voice in the world describing the plight of Chechnya's civilian population, under military assault by the Russian government since 1994.

She told me once that because she was female, she was considered less threatening and could get behind the lines, where she reported on abuses the army was perpetrating against Muslim communities under cover of fighting terrorism. She described how, to avoid a military checkpoint, she’d made her way down to a river, then trekked through deep snow all night.  Another time, she posed as a farm wife sitting on a pile of hay in a wagon; she smiled that without her wire-rims she couldn’t see a thing. Another time she was apprehended by Russian forces but freed as night fell by a sympathetic major. In February 2000, the FSB (former KGB) confined her in a pit in Chechnya without food or water for three days.

Despite those dangers, like many of the women we have sponsored, Anna Politkovskaya kept working to expose the injustices around her. Fearless, but not naïve, she knew her life was on the line as she described the moral decay of 100,000 security forces, whose abuses only spawn more terrorism.  Still, she continued to document zachistka ("mop-up"), where young men, or any others considered suspicious, are rounded up from their homes, sometimes tortured, and often executed.

Because of her standing with the Chechens, Politkovskaya acted as a mediator during the Dubrovka Theater siege in Moscow in October 2002. Russian special forces put an end to the two-day stand off when they gassed the theater, killing not only 40 Chechen terrorists but also 129 hostages.  Then in September 2004, she was in flight to Rostov to cover the Beslan school hostage crisis when she lost consciousness after drinking a cup of tea.  Just before she passed out, a flight attendant whispered to her that she had been poisoned by Russian agents on the plane. Doctors at the hospital in Rostov were ordered to destroy the test results. She believed the FSB was trying to prevent her from reporting on the siege, which resulted in 344 deaths, half of them children.  Anna’s suspicions were well-founded: Since 2000, at least twelve Russian journalists have been murdered in contract-style killings. 

I last saw Anna in December.  She and a small group were discussing the role of women in the security sector, as protectors of human rights, journalists, politicians, and leaders of civil society.  They called for women’s solidarity internationally to ensure peace and stability.  Anna spoke about freedom of speech and how crucial it is for NGOs to challenge the government.  Her words then bear the weight of her sacrifice now. 

That day I took two pictures of Anna: the first, somber; the second, her head back, laughing.  I think of those two images of her as we mourn her murder and celebrate her life.  She understood that with freedom comes responsibility to work for those denied such freedom.  As we grieve her death, forty years too soon, we must redouble our efforts and carry forward her legacy.  

Swanee Hunt, former US ambassador to Austria, is the director of the Women and Public Policy Program at Harvard's Kennedy School of Government and chair of The Initiative for Inclusive Security.