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 From
brothels to mainstream, it has been a journey of transformation captured
through the lens — the journey of 126 young women rescued from the red light
areas in Kolkata and rehabilitated. Capturing their metamorphosis from ‘pain
to power’, as they portrayed themselves in characters they could identify
with, was acclaimed photographer Achinto Bhadra. At an exhibition organised
at Alliance Francaise in New Delhi, he displayed 50 out of the 126 portraits
he had created.
While the striking compositions, colour, costumes, make-up, expressions and
captions made each portrait captivating, the exhibition for the most part was
about the successful reintegration of the young subjects into society; their
newly-gained independence; their determination to start life afresh; and how
they see themselves and what they identify with.
The photographs were part of a project that began five years ago by the
Kolkata-based NGO, Sanlaap, with support from Terre Des Hommes Foundation,
Switzerland. “Sanlaap has been working for the past 21 years against the
trafficking of girls and women... working with girls rescued from
brothels.... and children of commercial sex workers and helping them to come
back to main society,” says Indrani Sinha, director, Sanlaap.
The subjects captured in the images — all survivors of trafficking, rape and
abandonment — were, at the time of the shoot, residents of Sanlaap homes and
between the ages of 8 and 25. At the shelter homes, these young women were
cared for, counselled, and empowered with life-saving skills in preparation
for a life of dignity ahead.
However, it was not easy for them to be part of the photographic project, the
aim of which was to throw light on trafficking, prostitution, and
vulnerability as a result of domestic violence, early marriages, poverty and
exploitative relatives.
Eventually, the photographs became powerful manifestations of the young
women’s dreams, how they saw themselves and what they wanted to become post
rehabilitation. Summing up the images, a poster stated: ‘Achinto’s portraits
reused trafficking survivors imaginative visions of themselves as human,
animalistic and divine beings of power, love and revenge and freedom.’
Prior to the project, the young women feared revealing their identity. Masks
and make-up came to the rescue, while the counselling sessions instilled
confidence. Harleen Walia at Sanlaap ‘guided the girls through a healing
journey of psychological transformation’ and helped them to come out with
their own stories.
The process saw these women sharing their past experiences, how they reached
brothels and how it affected them, without dwelling on what happened to them
in those brothels. It also helped them to decide what they wanted to be in
future.
For the portraits, the young women had to think of a character they wished to
be portrayed as. Says Reena, 23, who now works as a youth motivator with an
NGO in Kolkata, “It took me a day to decide but when I saw a fish swimming
across a pond, I could immediately identify with it... how it swims across
despite all the troubles. I too would like to fight all odds in my life and
start living once again.”
Aloka, 28, portrayed herself as a bright yellow flower so that she could
spread fragrance “not only in my life but in that of others as well.” She now
runs a grocery shop along with her husband, whom she married last year.
Shikha, 20, now works as a life-skills trainer with an NGO, training girls on
how to improve their communication skills. For the shoot, she had adopted the
character of the protesting girl... “who never gives up and continuously
fights for herself and others.”
Taking part in the project had a cathartic effect on the victims. “Talking
about my experiences during counselling and expressing myself in front of the
camera, as a wasp, was heart-wrenching. It made my heart heavy and filled my
eyes with tears but in the end it made me feel lighter as if I was done with
my past,” recalled Saraswati, now a self-defence trainer and a third-year
college student.
The first-hand personal accounts were powerful and gave an understanding into
the ‘whys’ and ‘hows’ of trafficking and how best to tackle it, admitted
Indrani, who adds, “In the last 21 years we have been learning from these
women. What we are doing today is because what we have learnt from these
women — from their experiences, how they were trafficked and what they went
through and how it can be avoided,” she added.
Lack of education and skills, poverty, domestic violence and dysfunctional
families are some of the reasons why girls leave their homes in search of odd
jobs, to become maids or in the hope of living a better life with those who
assure them marriage. By the time they are rescued from commercial
exploitation, their confidence and self-esteem are shattered, their future is
bleak and they are in need of help that is sensitive and caring.
Unfortunately, most care-givers at shelters don’t know how to treat a victim
with dignity, observes Indrani. Enakshi Ganguly Thukral, Director of Haq:
Centre for Child Rights, agrees with this assessment. She speaks of the need
for greater efforts to sensitise the community on how to treat survivors of
trafficking with dignity.
Gathered on the lawns of the exhibition venue, were some of the young women
who proved that with care and sensitive support it is possible to move on.
Most of these 126 young women are earning their own livelihood and four of
them took time out to travel from Kolkata for the exhibition, which has travelled
to many countries, including the UK, US, Spain France, Germany, Cambodia and
Nepal. Their angst, palpable in ‘Another Me’ portraits, is now buried under
the smiles on their lips and dreams in their eyes. It’s quite ‘another them’.
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