A missing page in a vibrant history of Iranian women
activism since the 1970s is the struggle of women political
prisoners. With the coming to power of the Islamic regime in
Iran, women became the first target of political and social
suppression. There were many women among the several thousand
prisoners who were executed in the summer of 1988. This is
known among Iranians as “the Massacre of 1988" (koshtar-e
1367, in Farsi).
Over the years, some of the prisoners who served their
prison terms have been able to leave the country. They, unlike
ex-political prisoners in Iran who are not free to write about their
prison experience, have produced momentous literature, which provide
detailed accounts of theocratic disciplining of prisoners, torture,
rape, execution of loved comrades, husbands, sisters, brothers, and
resistance within the prison. This literature is written in
Farsi, and is thus not widely accessible to international human
rights activists, prison abolitionists, feminists and
academics. These prisoners have also spoken about their ordeal
in art forms such as music, film, painting, and photography that
visually depict their individual and collective resistance and some
of the atrocities committed against them.
This literature is significant in its own right,
although it is perhaps unique in its details about Islamic theocracy
and the gender dimension of its penal practices and policies.
In both torture and indoctrination, womanhood and motherhood turn
into sites of state repression; there are stories about children
living with their mothers in jail or separated from them, a
situation where unborn and newly born children are targeted by the
state to break the resistance of the prisoner.
In the last three years, I have tried to open a space
in academia for the voices of women political prisoners of the
Middle East. This initiative includes the compilation of a
comprehensive bibliography consisting of books, films, music, art
productions, journal articles, and web-based materials; the current
website includes most of this literature. An outcome of my
SSHRC-funded research on the impact of war and displacement on
women’s learning has been the realization of the importance of
political autobiography writing as a process of resistance and
conscious healing. Political autobiography can encourage a
radically new approach to understanding the histories and struggles
of women activists. I have organized writing workshops for
women political prisoners, the first of which was facilitated by
Haifa Zangana, an Iraqi woman political prisoner, novelist, and
anti-war activist. Haifa discussed the importance of
autobiographical writing and the process of using art to express
historical and political events. The workshops are continuing
with the volunteer work of a respected Iranian-Canadian woman
novelist and writer. The writings produced by women prisoners
in these workshops will soon be published as the first English
anthology on this subject.
I have also used the Prisoners’ Justice Film Festival
organized by Prison Justice Action Committee in Toronto in the last
two years as a politically exuberant space for educating the public
on the struggle of women political prisoners of the Middle
East. In collaboration with Sumoud (www.sumoud.tao.ca), we have shown a series
of films on women political prisoners of the Middle East (for a
complete list of films check the following website www.pjac.org).
Words, Movements, and
Colours, a set of new workshops involving stories, dance
movements, theatrical performances and paintings, are being planned
as a way for women political prisoners to narrate their stories and
embark on a journey with the goal of personal and political healing
and well-being.
For further information contact
Shahrzad
Mojab
Professor and Director
Women and Gender Studies
Institute at the University of Toronto
Department of Adult
Education and Counselling Psychology at OISE/UT
416-923-6641, x.
2242
smojab@oise.utoronto.ca